Tag Archives: Tom Bateman

“Shakespeare in Love” at the Noël Coward Theatre

Films brought to the stage are often maligned, but Shakespeare in Love, which opened this week at the Noël Coward Theatre, should make all playgoers happy. Theatre power couple Declan Donnellan and Nick Ormerod, world renowned for their Cheek by Jowl Company, make it a hot ticket. Skillfully adapted by Lee Hall, from Tom Stoppard and Marc Norman’s Oscar winning 1998 hit, this is a clever crowd pleaser it’s easy to recommend.

Hall wisely retains much of the original script. All the jokes created by a modern eye on the imagined creation of Romeo and Juliet are as funny as ever. The romance is preserved and the story’s second love affair – with the theatre – is expanded. The ensemble engender an intimate complicity as they remain on stage to interact with the young playwright Will during his hopeless love affair with the aristocratic Viola De Lesseps.

With the movie in our minds the performers have a lot of live up to – it was a film with no shortage of stars. The cast acquit themselves well, with David Oakes benefiting most from a beefed up role as Christopher Marlowe. Director Donnellan uses the many small roles to focus attention on the lovers – showing their differences in rank and contrasting overblown acting with their sincerity as the romance mirrors and molds that of the fictional Romeo and Juliet.

Shakespeare In Love 6 - Company with Tom Bateman as Will. Photo by Johan Persson ∏Disney
Tom Bateman

In the star roles Tom Bateman and Lucy Briggs-Owen give exciting performances. Bateman has the looks for a leading man and gives Will a Byronic feel that he builds well. Briggs-Owen is full of ambition, keen to get the laughs and conveying a spirit that makes you fall in love with her character. Viola is the star and her desire to become an actor is the motivation that is inspirational.

Donnellan marshals Shakespeare in Love with efficiency and Ormerod’s set is impressive. Could the play have been more adventurous? Probably. The finest addition is the music from Paddy Cunneen that has a boldly crafted authentic feel. But the production sensibly decides to please those who loved the film and here it’s an unqualified success. There’s even a dog that almost steals the show – sure proof those in charge know what people want: love, and a bit with a dog.

Until 25 October 2014

www.shakespeareinlove.com

Photos by Johan Persson

Written 23 July 2014 for The London Magazine

“The Duchess of Malfi” at The Old Vic

The stage is set for high drama at The Old Vic with Jamie Lloyd’s new production of The Duchess of Malfi. Soutra Gilmour’s set excites at first, with accomplished lighting from James Farncombe, but it quickly tires. This gothic fantasia lacks subtlety and isn’t versatile enough – at one point it seems to snow inside a palace and, worse still, it has a cardboard cut-out feel that is unfortunately reflected in some of the performances.

Placing the focus on John Webster’s text, shouting the play’s complexity and trying to challenge our ideas about Jacobean revenge stories, Lloyd creates an exceptionally clear production. Clarity isn’t usually a fault but you can take anything to an extreme: much of the cast’s delivery becomes heavy and laboured. Lloyd is too good a director to make The Duchess of Malfi tedious but what should be a gut-wrenching ride of a play is too often halting.

There are important exceptions. Mark Bonnar plays the villainous Basola with great complexity. His treachery towards the Duchess and her steward (a fine performance from Tom Bateman), whom she has secretly married, is multilayered.

In the title role, Eve Best’s performance is never less than superb. It’s clear that for Lloyd her character is more than the victim of gruesome torture – she is a shinning light of humanity. Best is impressively natural, given the difficulty of the part. Believable as a real woman as well as a symbol of dignity, her performance saves the play.

Until 9 June 2012

www.oldvictheatre.com

Photo by Johan Persson

Written 29 March 2012 for The London Magazine