Frank Loesser’s 1961 hit musical doesn’t get a London airing very often, so this revival, from director Benji Sperring, is an exciting chance to see the show. As you would expect from the creator of Guys and Dolls, Loesser’s smart score has a satisfying complexity, served well by Ben Ferguson’s musical direction and Wilton’s acoustics. The story is a neat idea, too – following the corporate career rise of a former window cleaner, J Pierrepont Finch, aided only by guile and a self-help book. While many of the jokes are laboured, a committed cast gives its very best.
Sperring’s actors adopt an exaggerated style that’s apt, fun, and makes light of the outmoded working environment and sexual politics on offer. The cast gets a lot from camping it up, especially the lead, Marc Pickering – a charismatic comedian with a strong voice. Also benefitting are Matthew Whitby and Daniel Graham as Finch’s dastardly colleagues, accompanied by Richard Emerson, who multi-tasks a shocking number different roles… at least that’s one thing that reflects current workplaces.
The mannered treatment might have been pushed further; not so much with the performances but rather Mike Lees’ set and costume design. Maybe even more drastic measures are needed – especially given the cringing sexism of the piece. Despite valiant efforts from all the actresses, no matter how tongue-in-cheek the delivery, there are too many uncomfortable moments. Hannah Grover sounds sweet as Finch’s love interest, but this character makes Miss Adelaide look like Germaine Greer. Her sidekick is more interesting. Played by Geri Allen with a voice perfect for this music, she almost manages to make you forget that she is singing about marriage being a woman’s ultimate goal.
Of course, Sperring doesn’t take any of the show seriously. His production’s silliness builds pace and humour (despite a lot of moving office furniture) while Lucie Pankhurst’s choreography gets funnier throughout. The actors are unfailing in their efforts but it’s a shame a more ruthless approach wasn’t taken. The germ of how to deal with the piece’s problems is clear to all – but more of an aggressive takeover is needed to make this business succeed.
Until 22 April 2017
Photo by Darren Bell