Tag Archives: John Gordon Sinclair

“The Grönholm Method” at the Menier Chocolate Factory

It’s a good idea to splash out on this venue’s excellent meal deal for this one. While this blog doesn’t recommend food and drink, this play, from Jordi Galceran, is perfect after-dinner theatre. With some wine helping you to swallow the improbable antics that four candidates for a job are put through, and a digestif over shared stories afterwards, an evening should go well enough. If a little smugly.

It’s no surprise that the play has been a global success (since its Spanish premiere in 2003 there have been productions in 60 countries). The job interview is a nice enough universal scenario, even if are watching executives here. Does Galceran tap into truths about the modern work place? Inevitably, if exaggerated for comedy, but not profoundly. The production itself goes down smoothly, with efficient direction from BT NcNicholl and a suitably sleek office design from Tim Hatley. There is humour in the bizarre interview situation, the cruel and pointless challenges posed, and lots of surprising twists that are set up well.

The characters themselves are simply devices to play with. It’s a bit of a shock to see one transgendered character bullied, partly because even bigoted interviewees would surely be more guarded, but more because this leaves a nasty taste in what is predominantly easy fare. But Jonathan Cake does well as a ruthless salesman we can all enjoy hating, Greg McHugh and John Gordon Sinclair have a firm grasp of the comedy, and Laura Pitt-Pulford is her usual good value as the predictably-tough-but-still-more-sensitive-than-the-men Melanie. All the cast make it look easy – which it isn’t – and without these strong performances the show would stink. But, as things stand, this play is an entertaining, if forgettable, diversion.

Until 7 July 2018


Photo by Manuel Harlan

“The Ladykillers” at the Vaudeville Theatre

The Ladykillers are back. After last year’s super-successful run, with the show nominated for five Olivier Awards, a fresh cast has taken over the show, now playing at the Vaudeville Theatre. Father Ted writer Graham Linehan’s adaptation of the Ealing Comedy, from 1955, is respectfully inspired by the much-loved film. Its central premise – a group of incompetent villains determined to try and do away with their little old landlady after she discovers their heist ­– is employed skilfully to create a clever comedy.

It’s a light affair, with just a touch of farce, and although slapstick is used effectively, it’s the quantity and quality of one-liners that stands out. And the superb characters. Everyone will have their favourite for sure, but Ralf Little brings real energy to pill-popping wide boy Harry, and Simon Day steals many a scene as the confidence man with no confidence, Major Courtney. Few people can suggest transvestism quite so amusingly as Day – it’s a rare skill indeed. Holding the whole thing together, as the criminal not-so-mastermind Professor Marcus, is John Gordon Sinclair; spot on the button with his comic timing and with an air of improvising that makes everything feel fresh.

It is the set and costume designer Michael Taylor’s work that impresses most. A proper ‘look at that’ stage, full of gizmos and gags, that really adds to the show. Working on its slopping surfaces must be oddly disorientating but the cast make it look jolly. Wickedly, it’s hard not to laugh at the very idea of assassinating Angela Thorne’s gorgeous granny Louisa Wilberforce, and the crooks failure to do so brings yet more invention from Taylor’s set – there’s even a railway tunnel at one point. The Ladykillers is free from twee and manages to be perfect family fun throughout – even for your grandmother.

Until 26 October 2013

Photo by Dan Tsantilis

Written 10 July 2013 for The London Magazine