Following the success of Nick Payne’s award-winning Constellations, Josie Rourke, artistic director at the Donmar, has the coup of presenting his new play, The Same Deep Water As Me. Set in a ‘no-win-no-fee’ lawyers’ office in Luton, it’s a departure for the young writer, moving from intimate personal dramas into the wider world of work. Payne tackles big issues with humour and intelligence and deserves great success.
Superbly directed by John Crowley, the play’s plot, an attempt to swindle large companies via insurance claims, serves to explore the theme of lying. The rather desperate Kevin suggests the idea to his old school friend Andrew, who has made good as a lawyer. In a bravura performance, Daniel Mays takes the lead, deceiving his character’s older colleague Barry and renewing an attachment to his first love, now Kevin’s wife, Jennifer (a charming Niky Wardley). Payne’s strong characterisations emerge as they become embroiled in the scam.
There are some marvellous one-liners here, some of the funniest you’ll hear on stage in London at the moment, and the delivery from Marc Wotton’s Mephistophelean Kevin is superb. Nuanced observations on class are used to particularly great effect when a claim is contested in court: Peter Forbes and Monica Dolan play a sleek legal establishment magnificently and Isabella Laughland’s cameo as a lorry driver is arresting (if a shockingly small role for such a talented actress).
Payne’s writing has a strange modesty that makes for a unique voice – a joke denied a punch line, unstated emotions suggested with restraint – and surely many a dramatist would have opted for the more dramatic criminal court instead of a civil one? Playing down has a purpose: raising questions about access to justice is topical but, providing a further satisfying weight, a Kantian universalizability shows that this is deep water we really are all in together.
Until 28 September 2013
Photo by Johan Persson
Written 12 August 2013 for The London Magazine