Tag Archives: Charing Cross Theatre

“Afraid of the Dark” at the Charing Cross Theatre

The latest attempt to scare London theatregoers out of their seats is Afraid of the Dark, which opened last night at the Charing Cross Theatre. I chickened out of Ghost Stories but always recommend The Woman in Black, so consider myself open-minded about scary shows. Afraid of the Dark didn’t make me jump much – you wouldn’t bother daring someone to see it – but it’s perfectly diverting.

Intriguingly penned by Anonymous, the play’s various scenes of suspense circle around an old Vaudevillian magician who delights in scaring the wits out of a B-movie producer and his minions. Julian Forsyth takes on the role of ‘Master of Terror’, Dr Henry Charlier, with nice prestidigitation. And those he terrorises at the film studios (by giving them an envelope predicting their darkest fears) ham it up in appropriate fashion. Rebecca Blackstone’s screams are great and Mark Rice-Oxley tries hard to shed some light on his character’s motivation. None of the actors has that much to work with – characterisation isn’t the point after all – and nor is the plot trying to thread them together up to much. But there’s a good sense of humour here and some neat touches.

What impresses is the show’s production team. Effective light and sound, along with illusions from Darren Lang, reveal this to be a magic show that is entertaining rather than eerie. The stories are made the most of with technical expertise as well as some lo-fi touches that receive eager applause. Just like the movie producer looking for the next gimmick, Afraid of the Dark shows that cheap touches can work well. The real thrill comes from experienced director Ian Talbot who has more than earned his fee here. Consistently tense and swiftly paced, this play is more fun-filled than fear inducing.

Until 26 October 2013

Photo by Eric Richmond

Written 12 September 2013 for The London Magazine

“Vieux Carré” at the Charing Cross Theatre

Vieux Carré is a late work by Tennessee Williams that might be dismissed as overblown melodrama, but a new production from director Robert Chevara, transferring to the Charing Cross Theatre after a successful run at the King’s Head in Islington, asks us to think beyond the campery and caricature. In contrast to Williams’ baroque writing, Chevara and his designer Nicolai Hart-Hansen present a stripped-back, minimal affair that focuses attention and allows the poetry in the play to shine.

Set in a squalid boarding house in New Orleans, much of the action in Vieux Carré borders on the macabre or the insane. The gentlemen callers of Williams’ earlier plays have turned into vagrants and the playwright’s approach to sex and death is painfully direct. The occupants of this “New Babylon” seem familiar from earlier work but are now “far past pride”; grotesque enough to make “remarkable tableaux vivants” that even they seem shocked by. Considering the extreme characters, the cast’s performances are admirably restrained: the landlady Mrs Wire (Helen Sheals) sinks into madness at a controlled pace and a tortured love affair is performed convincingly by Samantha Coughlan and Paul Standell.

None of the characters is closer to dangerous parody than the “rapacious” homosexual artist Nightingale, so David Whitworth’s performance deserves special note for its appreciation of Williams’ humour as well as emphasising the loneliness that so occupied the author and gives the play its emotional power.

It is Nightingale’s relationship with the play’s narrator, a young writer naturally, that interests most – an autobiographical tease that Tom Ross-Williams has the talent and stage presence to carry. His neighbours are the material for his work but his observations lack coherence and are a shadow of Williams’ own oeuvre. As a play, Vieux Carré is frustrating but Chevara comes within a hair’s breadth of convincing us this is a major work, and that makes his production an important one to see.

Until 1 September 2012

www.charingcrosstheatre.co.uk

Photo by Tim Medley

Written 20 August 2012