Utoya-at-the-Arcola-Theatre

“Utoya” at the Arcola Theatre

Italian writer Edoardo Erba’s play consists of three stories connected to Anders Behring Breivik’s 2011 terrorist attack in Norway. We have the parents of a child who has been sent to the titular island, police nearby who hear about the attack, and Breivik’s neighbours, who happen to be siblings. The approaches are uneven, despite clear and disciplined direction from Sarah Stacey, but the writing and performances are admirably sensitive.

A lot of ground is covered. In each case, relationships before the tragic events of 22 July impact reactions. If that sounds like an obvious point for Erba to make, it is made with conviction and insight. But the background isn’t always useful. The frustrations of a marriage are finely detailed but might try your patience. The fractious relationship between police colleagues is a touch unbelievable (although dramatically effectively). Finally, the health problems of a woman who lives with her brother fall flat. Indeed, this couple, who speculate about their new neighbour, come across as odd and confusing. 

Erba works hard to bring in bigger questions. There is discussion about the socialist nature of the camp on Utoya (which might need elaboration for an English audience). A lot about racism seems more relevant and is dropped into the scenes smartly. And there’s plenty of misogyny which, although believable, needs to be explored more. The suggestion that there is a connection between hating women and Breivik’s militarism needs elaboration. Sensationalism is avoided – an important achievement given the subject matter.

As a demanding work, even if it doesn’t quite gel, Utoya is an excellent showcase for the skills of its cast, Kate Reid and Marco Young. Taking on all six roles, along with the problems of each character, means the performances also have highs and lows. I found their depictions of the police the best, those of the siblings, not surprisingly, a little lost. But they are consistently careful, their skill and effort top notch. Along with Stacey’s direction, every moment of the play is treated with respect and the result is a credit to all.

Until 31 August 2024

www.arcolatheatre.com

Photo by Mariano Gobbi