Reprising his role as Hal, after last year’s turn in Henry IV Parts I & II, Alex Hassell ascends to the throne in a Christmas treat for Londoners from the RSC. Gregory Doran directs, offering a fulsome and classy production. Hassell is a suitably thorough performer. Strongest when showing the nervousness of a new monarch dwelling on the morality of war, his transformation into a convincing martial leader is a carefully paced achievement.
Doran’s populous show looks and sounds great. There’s an exhibition about the gorgeous lighting, designed by Tim Mitchell, in the Barbican’s foyer space. Period instruments and a beautifully sung Te Deum (performed by Helena Raeburn) are highlights. Most memorable is an avuncular performance from Oliver Ford Davies as the chorus. Placed to the fore, his humorous calls to our imagination give the show a surprising intimacy and his modesty makes a pleasant foil to the production’s grandeur.
This is a long Henry V. Scenes of light relief are given plenty of time: one section of Act 3 Scene 2, often discarded, has not just an Englishman, Irishman and Scotsman but also a Welshman thrown together for fun (Joshua Richards’ Fluellen is satisfying throughout the show). And Doran wants to address the peace as much as the war – perhaps a little more than Shakespeare can be bothered with. The romance between Henry and Kate is rather dragged out (despite Jennifer Kirby’s charming Katherine) and Jane Lapotaire’s Queen Isobel takes centre stage for a speech on the state of France that is, again, sometimes skipped. Even though you might be left agreeing with productions that condense the action, this luxury edition of the show drips quality.
Until 19 December 2015. The King and Country four play cycle of productions, including Richard II, will be performed in January 2016.
Photo by Keith Pattison