Tag Archives: Sophie Isaacs

“Six” at the Vaudeville Theatre

Toby Marlow and Lucy Moss’ brilliant show is the kind of hit that warms the heart. From the Edinburgh Fringe to Broadway and now a new West End home, this musical ‘herstory’ of Henry VIII’s wives deserves its success. No excuse is needed to see it again (and again).

Let’s start with the performers. Pitting the queens against one another isn’t the spirit of Six – that’s one of many clever twists. And they are all fantastic. 

Suffice to say Jarnéia Richard-Noel sets the tone of the show perfectly with the first solo number. Hana Stewart’s Catherine Parr guides the show. Sophie Isaacs expertly handles the hardest number, for Katherine Howard, where Marlow and Moss change the emotional tone to make us think again about all those sexy pop songs. 

Make no mistake – there are six stars here. Collette Guitart (understudying on the night and the show’s talented Dance Captain) brings big emotion to her ballad – a huge achievement given how funny the show is. And Cherelle Jay shows herself as a delightful natural comedian as Anne Boleyn. Alexia McIntosh really has the funniest role, as Anne of Cleves. It is a joy to see a performer so in control of the room: McIntosh doesn’t just have the audience in the palm of her hand – she makes them happy to be there.

Alexia McIntosh in Six credit Pamela Raith
Alexia McIntosh

The mock rivalry between the Queens is thought-provoking and a neat commentary on celebrity culture. Underneath, they all bond, emotionally and as singers, to fantastic result. Best of all, the cast seems to be having as much fun as the audience. And that’s saying something.

I did a disservice to the score at my first encounter. The music has far more references than the Spice Girls. And if I’m still not up to speed with exactly who inspires each queen, this short show has more hits than much longer musicals. It is a faultless collection of songs.

There’s an intelligence and sharp humour to Six that is not to be underrated. The importance of telling the story of the ‘divorced, beheaded and died’ from their own perspective belies how many laughs there are. Add a touch of fantasy as the ex-wives are represented as popstars and you get real magic. Long may this show reign.

Until 1 May 2022


Photo by Pamela Raith