David Ireland’s new play, a hit for the National Theatre of Scotland at last year’s Edinburgh International Festival, is a vague affair. The scenario, discussions between an alcoholic and his sponsor, is promising enough, a good idea. But scenes talking about sex, abuse and addiction are joined by the topic of religion, and nothing is addressed in detail. Like much recent writing, masculinity might be the subject matter – but even this topic feels tackled by default.
There’s also Alcoholics Anonymous itself, whose course of treatment provides the play’s title. How much do you need to know about the organisation to enjoy the play? The Fifth Step isn’t about A.A., as such, criticism about the process is implied, but not investigated. It’s frustrating that we don’t learn more through the play. Is the target talking therapies in general? Or the quasi-religious system of “fellowship” that has a fascinating history?
As a two-hander, the piece is, understandably, character driven and these are meaty rolls that have a clear attraction for performers. Jack Lowden reprises his part as Luka while Martin Freeman joins as an older sponsor, called James. Both men are interesting to watch, and the dynamics of their relationship provides the drama, carefully nurtured by director Finn Den Hertog. Still, Luka is too much a tick-box of toxic masculinity: his opening line is that he is an incel, while his homophobia, misogyny and ignorance push credulity just a little too far. Likewise, James’ sensitivity and hypocrisy don’t quite work – it’s just a little too clear that things aren’t as rosy as he makes out. But when he gets nasty, it doesn’t ring true either.
The performances are top-notch. Fans of Freeman and Lowden will enjoy themselves. And their talents are clear, given how both deal so expertly with Ireland’s humour. The Fifth Step tries hard to be funny. At times it’s a little too close to sketches for stand-up comedy routine, where seeing the punchline coming is part of the fun. Both cast members are great at landing the lines. But despite their efforts, which are considered and considerable, the characters end up as bores. It’s a shame that, with such emotive topics discussed – from adultery to atheism – it is hard to feel for either man or wish to journey any further with them.
Until 26 July 2025
Photo by Johan Persson