Tag Archives: Robert Horn

“Shucked” at Regent’s Park Open Air Theatre

Well, this one is fun! Brandy Clark and Shane McAnally’s new musical, fresh from Broadway, is full of laughs and chipper songs. The story of an isolated community having trouble with its crops juggles sentimentality and cynicism with gusto. Strong performances from a cast that seems to be loving every moment make it easy to enjoy. 

The inhabitants of Cob County, who all appear to be related, are great figures of fun. There are lots of country bumpkin jokes and colourful characters (Keith Ramsay is particularly strong). Every kind of gag gets a go – dad jokes, dirty jokes and some awful puns. They’re delivered thick and fast and almost always land. 

Keith Ramsay in Shucked at Regents Park Open Air Theatre
Keith Ramsay

While giving us plenty to laugh at, the characters have admirable qualities, focusing on loyalty and community, that the show extols. And it feels very contemporary that their suspicion of the outside world might be warranted. Our heroine, Maizy, may not be too bright but she has the courage to travel to the big city – Tampa, Florida – to seek help with the harvest and Sophie McShera makes her character’s mini journey of self-discovery appealing.

Of course, Maizy is conned. By a not very good conman posing as a chiropodist (a great role for Matthew Seadon-Young). And her adventure complicates her love life, too, as she’s left her beau, who is called Beau, behind. But don’t worry – it’ll all work out. And along the way there are strong numbers for Georgina Onuorah and Ben Joyce, who both sound fantastic. Robert Horn’s book for the show is admittedly slim, but it is romantic without being sickly sweet.

Monique Ashe-Parmler and Steven Webb in Shucked
Monique Ashe-Palmer and Steven Webb

The music itself is pastiche, but strong. The silly songs are great and there’s enough heart to make you fall in love with everyone (one of the strongest numbers is about female friendship). And there’s a nice twist with two ‘story tellers’, played by Monique Ashe-Palmer and Steven Webb with fantastic energy. They provide many of knowing glances that help the show and a reassure us that we’re all here for fun. Of course, it’s corny – that joke is set up from the start – but such enthusiasm is delicious. 

Until 14 June 2025

www.openairtheatre.com

Photos by Pamela Raith

“13” at the Ambassadors Theatre

Performed by students of the British Theatre Academy, this musical about turning 13 has the distinction of featuring actors who are all that age or less.

Director and choreographer Ewan Jones has shaped his young charges expertly and all involved should be proud of their professionalism. I couldn’t spot any fumbles – let alone nerves. Even the most obvious failing is charming: the children haven’t entirely learned to deal with an audience’s response and don’t take account of frequent laughter or riotous applause.

The show itself, with a book by Dan Elish and Robert Horn, uses standard school drama tropes and coming of age lessons. New boy Evan, a huge leading role for the talented Milo Panni, has to work out which group he belongs to, with the added pressure of organising his bar mitzvah, while learning about himself – and love – along the way.

The Academy wasn’t taking the soft option when it chose this age-specific piece. The lyrics are ambitious, the musical genres wide referencing. These songs are not easy to perform. Unlike most musicals for younger voices, fewer songs have support from the whole cast, and there are no adults to carry numbers. It is a struggle for some, and the different maturity of boys and girls is noticeable: Chloe Endean and Isabella Pappas, competing for romance with the school jock, are more advanced vocally, and Madeline Banbury, as Evan’s love interest, shows stand-out acting skills.

The best reason to choose the show is that it is from musical mastermind Jason Robert Brown – any opportunity to see his work should not be missed. Showing his usual wit and intelligence, his strong collection of songs will please any age group. The majority are funny, with jokes for grown-ups that add appeal (the school in question is Dan Quayle Junior High). The show is warm, open and inclusive – qualities Jones appreciates perfectly. There’s no patronising audience or performers here, which makes this a production that’s good for more than the family and friends of its talented cast.

Until 23 August 2017

www.theambassadorstheatre.co.uk

Photo by Roy Tan