Stephen Sondheim’s masterpiece deserves VIP treatment every time it is staged. Thankfully, director Jordan Fein steps up with this latest revival. A mash-up of fairy tales with a contemporary sensibility, very much for an adult audience, the piece is the gold standard for musical theatre. It should never be missed, and Fein’s respectful, conscientious, approach makes it a sure hit as well as a true pleasure.
The chance to see Little Red Riding Hood, Cinderella, Rapunzel and others interact provides plenty of laughs. Alongside their stories getting confused, the characters’ self-awareness adds a layer of metatheatricality that’s a long way from the Brothers Grimm. As well as being smart, this is a laugh-out-loud musical. But there’s poignancy, too, with its exploration of parenthood and what people –full of both hope and fear – wish for.
At the centre of the show are a Baker and his wife – it is their hope for a child that starts the action. Jamie Parker and Katie Brayben make a fantastic couple, showing us the stress in their characters’ relationship as well as the commitment they share. There is also a very strong performance from Jo Foster as Jack (of beanstalk fame) bringing tremendous energy to the role and tackling his puppet pet cow so well the animal almost steals the show. Nonetheless, leading the way for both comedy and tragedy is Kate Fleetwood, who plays the witch. Of course, in a show about fairy tales, it’s a starring role. But Fleetwood really does shine. Every moment is considered, the smallest gesture getting a laugh. Her singing is marvellous and, in the numbers addressed to her adopted daughter, heart-wrenching.
There is terrific support from Oliver Savile and Rhys Whitfield, who play the royalty in the show – their enthusiasm is contagious. The production is, almost, faultless. The priority for Fein is the acting skills his cast brings, so there are a few instances when you might wish for stronger singing. But there are fine voices here, including the excellent Gracie McGonigal, Bella Brown and Chumisa Dornford-May. Best of all, you can hear every word sung. Since Into The Woods has the cleverest lyrics – they are a benchmark to judge others – this is essential and it makes the production a pleasure at every turn.
Until 30 May 2026
Photo by Johan Persson
